
More from the series
ESTRANGED (series) →ESTRANGED - LUX
"A captivating dual-narrative of self-discovery, tracing the evolution from a child's secret glitter-filled play to the professional stage of drag artistry."
The Narrative
From the bathroom mirror to the spotlight
In this enchanting chapter of the ESTRANGED series, ARJAN SPANNENBURG explores the intersection of childhood curiosity and adult artistic fulfillment. Through the portrait of LUX, the artist visualizes the long-suppressed urge to create and perform. SPANNENBURG utilizes the delicate, intricate leaves of a Japanese maple to represent the fine detail and layering involved in the art of drag. The artwork captures the pivotal shift from "hiding in the bathroom" with a sister's makeup to the bold, public reclamation of the stage. It is a study of the pandemic not just as a period of isolation, but as a cocooning phase that allowed an artist's first wig and eyeshadow palette to become tools of profound psychological survival.
The harmonious coexistence of Daan and Lux
SPANNENBURG’S motivation for this piece is to document the joy found in the LHBT+ community's shared spaces, where dreams transition into reality. By placing LUX within the dappled light and complex shadows of the maple tree, the artist mirrors the multifaceted nature of the subject's identity. As LUX reflects on the ultimate achievement of their creative journey: I have never felt so good, as Daan and as Lux. This work serves as an institutional record of drag as a holistic medium that unites fashion, dance, and theater into a singular expression of the self. For the collector, this piece offers a narrative of triumph, illustrating how a "pink glitter dress" from a childhood bin can eventually lead to the radiant confidence of a performer standing in their own light.
Visual Analysis
A vertical black and white photograph depicting a person in drag, seen from the chest up, standing behind a branch of a Japanese maple tree. The subject has long, straight hair and dramatic, long eyelashes, looking upward and slightly away with a contemplative expression. They are wearing a patterned top and a heavy, chain-link necklace. Their hands, clad in fingerless gloves with a graphic print, are visible as they gently hold the delicate, palmate leaves of the maple. The lighting is focused on the face and torso, creating a bright highlight that contrasts with the dark, out-of-focus foliage in the background, emphasizing the subject's poise.
Year
2022





